Skip to main content

Arena Stage Architectural

Shot the Arena Stage few days ago.  I have the deepest respect for both architecture and architects.  In some sense, I think photography and architecture are somewhat similar to each each other in the fact that we both have to be very familiar with technical knowledge along with artistic.

I've met the Media Director Kirstin Franko of the Arena Stage, a while back while scouting for a photo shoot for the Design Army.  She was very helpful then and very helpful now when I wanted to shoot the theater for my portfolio.

Canon 5d MK II, 24 3.5L TSE II

This building has huge wooden pillars that sits up along the perimeter of the windows.  I find it interesting that in this building, you can't find too many right angles. The structure is mostly made out of concrete and glass but the addition of wooden posts and the lack of 90 degree angles give it more organic feel to such modern structure. 

Canon 5d MKII, 24 3.5L TSE II

Because of the wall of windows, the light plays a very important role in how the people interact with the space. 

Canon 5D MK II, 24 3.5L TSE II

Fuji X-100

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Fuji x-100

This shoot was very different from how I usually work, which is hand held with open apertures.  When the subject IS the architecture, then having elements that distorts how the structure looks can be distracting.  So this is where the tilt shift lens comes in.  I love the new 24mm 3.5L TSE II. Very sharp at all apertures, easy to work with and built rugged. With this lens, its like a pocket sized view camera.  

To see more click here

Comments

  1. I love this set Dan :-) Looks contemporary yet there's a vintage texture to it. How you do it? Color tones is sooo beautiful too. I dont know if you like to hear this for these pictures but they have your documentary photographic signature all over it. Everything looks so natural like there's no sign of them being overworked in photoshop and such. That last one you took with the x100 is really cool too :-)

    ReplyDelete
  2. Thanks Mimi. Its interesting that you still can see my documentary style on this set. I did some coloring in Light Room to give it some organic feel to it. The Fuji x-100 is proving to be an excellent companion to the 5D.

    ReplyDelete
  3. Hi Dan, Been a while, but I'm finally motivating to get on a daily posting schedule and reading blogs now that the wedding season is over. I've been perusing yours, catching up, and love looking at your work! Nice! Hope you're well. Happy New Year!

    ReplyDelete
  4. Hey Whit! Travel to Italy... that must have been nice. I also like your promo pieces! sweet design. Enjoy your Holidays!

    ReplyDelete

Post a Comment

Popular posts from this blog

Boston: B&W Architecture with Leica Q2M: From a Purist Perspective.

I swear I was going to switch out my black and white ONLY Leica Q2M to a regular Q2 color camera before going to this trip.  I"m glad I didn't.   Oh, before I forget, take a look at my icandy slide shows .  I will be making slideshows that is designed for big screen TV's.  Take a look at this one: Ok, back to the topic on hand.  So one of the most asked question about the Leica Q2M is, 'why limit yourself to just black and white when you can easily convert color photos to BW?'  Very good question.  My answer is,  if you know with certainty you want the best quality BW image possible, you want the dedicated monochrome camera.  Am I being a staunch purist? or is there a practical argument for it? Let's talk about it.  Beacon Street Boston,  MA One of many beautiful architecture on that hill.   First, this camera doesn't have any moire filter on the sensor.  Moire filters are on most color camera sensors to get rid of those annoying repeating patterns that loo

Let There be (additional wirelessly controlled portable electronic) Light! With Canon 600RT

Canon 5D MK3, 50 1.2L, with 600EX-RT triggered by ST-E3-RT Click to see Portfolio  I've always held fast to the notion that there is nothing more beautiful of a light source than the natural light and I still do. I sometimes like to at least try to prove myself wrong. The reason being is that I believe that your ideas can, and should change… At least welcome the notion of that change. As it is true with many of my photographic ideas, some of the ideas have roots that goes way back.  I was flirting with the idea of shooting nature with electronic flash. Yes, that's sacrilegious to many including myself, till I realized that while believing in something strongly is good, holding onto something too strongly can lead to stagnation. And as we know, stagnation leads to death! Yes, Death! (repetition for dramatic effect). Canon 5D MK3, 50 1.2L, with 600EX-RT triggered by ST-E3-RT Click to see Portfolio  So today I headed out to the woods to test out this idea. Armed wit

Backpacking the Sierras (with my tiny but mighty camera)

Over the summer I had the chance to hike the James Muir Trail (JMT) that runs along the Sierra Nevada Mountains in California.  This trail starts at the Yosemite Valley and ends at Mount Whitney summit, which is the highest point in the lower 48 states at 14,505 feet.  The trail is 211 miles long with total elevation gain of 47,000 feet.   Click here to see the entire gallery Me by Garnet Lake  This was not a "photo" expedition for me (even though I did take a small camera and took around 4K photos!) I had many reasons why I didn't want to make it a photography trip.  Do you want to know why? Ok. My hiking crew.  Mt. Ritter in the back there yonder. Reason number 1).  This was my first real through hike.  For you newcomers a "through hike" means to hike in one session or outing, the entire length of a particular trail.  I've done multi-day section hikes on the  Appalachian Trail (AT) before, but for this hike we scheduled 23 days.  So, this was not just a