Some recent editorial work

I've had an opportunity to shoot Dan Choi, one of ex military personnel who is fighting for equal rights for lesbians, bisexuals and gays in the United States military.

Series of my photos ran in this magazine and also the Advocate Magazine. I brought my battery pack for the studio lighting for this shot. I chose to shoot without a softbox or umbrellas since I wanted to get the hard lighting effect. Some light from the studio light spilled onto the marble background probably around 2-3 stops lower than the subject so that allowed the subjects to stand out from the background.

Here he is sharing his support for family members and friends who were discriminated by the military for their sexual orientation. There were a lot of emotion that day in the Tomb of the Unknown Soldier in Arlington VA.

I grabbed this shot very quickly, as Dan and his partner was walking toward the area where I wanted to shoot the portrait. There were a lot of people walking about the area, so I had to move around to isolate their hands on something contrasty and clean.

Comments

Boston: B&W Architecture with Leica Q2M: From a Purist Perspective.

I swear I was going to switch out my black and white ONLY Leica Q2M to a regular Q2 color camera before going to this trip. I"m glad I didn't. Oh, before I forget, take a look at my icandy slide shows . I will be making slideshows that is designed for big screen TV's. Take a look at this one: Ok, back to the topic on hand. So one of the most asked question about the Leica Q2M is, 'why limit yourself to just black and white when you can easily convert color photos to BW?' Very good question. My answer is, if you know with certainty you want the best quality BW image possible, you want the dedicated monochrome camera. Am I being a staunch purist? or is there a practical argument for it? Let's talk about it. Beacon Street Boston, MA One of many beautiful architecture on that hill. First, this camera doesn't have any moire filter on the sensor. Moire filters are on most color camera sensors to get rid ...

Large Format ...Slight Return

Took out my Linhof 4x5 field camera out for a spin. Tripod, cable release, focusing cloth, loupe, lightmeter, and film holders! The gang's all here. Linhof Technica III, (circa 1940's) with Fujinon 150mm 5.6 a modern lens design. Bull Run Park near Manassas VA.The camera is wonderfully made with machined aluminum with German engineering. Like Butter. Working with a 4x5 is a whole different world. It takes long to set up and there are so many things that you can screw up. "Did I cock the shutter? check focus?, meter reading, dark slide out? lock the movements?... There are like 13 different steps that you have to make to take a picture. So why do it when I can just point my 5d and shoot in easy one two steps? Reasons may vary, but I do it because of the camera movements. The tilts, swings, shifts. These cameras were made so you can technically control how the image hits the film plane. You can achieve "technically perfect" images, whatever that means. ...

There's No Place Like "Here and Now"

I got to this little park in Leesburg and thought, 'Any other place would be better for pictures.' I usually think this when I get to a site. Shame on me, I know. Thinking about all the wonderful pictures that I'm missing out because I'm not in Bryce Canyon or at Yosemite. Or because the light is not right, it won't be good and such. Fuji x-100 See the entire collection So today I said, "The hell with it… I'm just going to use what is here and now and make the best of it." No excuses. Matter of fact, I didn't even bring my big camera, Just my point and shoot (fuji x-100). I started to scan around to see if there's anything interesting. Fuji x-100 See the entire collection Where do you decide to see things from dictates your perspective of the photo. I knew that the snow on the ground was something that I was not used to seeing at this park so I headed into a small area of brush where the tall grass held onto the snow more than th...

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