Skip to main content

There's No Place Like "Here and Now"

I got to this little park in Leesburg and thought, 'Any other place would be better for pictures.' I usually think this when I get to a site. Shame on me, I know. Thinking about all the wonderful pictures that I'm missing out because I'm not in Bryce Canyon or at Yosemite. Or because the light is not right, it won't be good and such.

Fuji x-100
See the entire collection
So today I said, "The hell with it… I'm just going to use what is here and now and make the best of it." No excuses.  Matter of fact, I didn't even bring my big camera, Just my point and shoot (fuji x-100). I started to scan around to see if there's anything interesting.

Fuji x-100
See the entire collection
Where do you decide to see things from dictates your perspective of the photo. I knew that the snow on the ground was something that I was not used to seeing at this park so I headed into a small area of brush where the tall grass held onto the snow more than the wide open field where the ground was starting to show through.

Fuji x-100
See the entire collection
The more time I spent on the snow looking around, I started to see some details that I liked. The fixed 23mm lens on my Fuji x-100 (35mm equivalent on the smaller sensor) was bit too wide where it showed too much stuff around, complicating the photo with dark patches of grass. So I used my zoom function on the camera… my feet.

Fuji x-100
See the entire collection
I closed in for detail shots of the little branches, grass, peeking out of the snow. This camera allows me to get pretty close so that I can clean up the background giving it a nice quiet feel.

Once again, I did not have pristine snow drifts where isolating an element in that clean background would be easier but It looked like this.


Instead of complaining about it, coming in close and using smaller elements allowed me some intimate shots.  I compensated the exposure a bit (+1 stop) to keep the snow bright. But I kept the exposure so that there will not be any blown hot spots. I wanted the powdery texture to be visible.

Fuji x-100
See the entire collection
I shot most from a bird's eye view, almost perpendicular to the ground. This angle almost got rid of any depth so the lines look very graphic and two-dimensional, which I though it would help the graphical nature of this scene.  I did some adjustments in PS to give it a softer, cooler look to the snow.

Fuji x-100
See the entire collection
So, would being at Yosemite National park with my large format camera be better for photos? Probably yes. Was I there today? No.

I'm also finding out that in life, we need to take a similar approach. Dealing with what we're faced with, not fantasizing about what you don't have and why what you do have is not good enough. Photography:1  Me:0.

Comments

Popular posts from this blog

Boston: B&W Architecture with Leica Q2M: From a Purist Perspective.

I swear I was going to switch out my black and white ONLY Leica Q2M to a regular Q2 color camera before going to this trip.  I"m glad I didn't.   Oh, before I forget, take a look at my icandy slide shows .  I will be making slideshows that is designed for big screen TV's.  Take a look at this one: Ok, back to the topic on hand.  So one of the most asked question about the Leica Q2M is, 'why limit yourself to just black and white when you can easily convert color photos to BW?'  Very good question.  My answer is,  if you know with certainty you want the best quality BW image possible, you want the dedicated monochrome camera.  Am I being a staunch purist? or is there a practical argument for it? Let's talk about it.  Beacon Street Boston,  MA One of many beautiful architecture on that hill.   First, this camera doesn't have any moire filter on the sensor.  Moire filters are on most color camera sensors to get rid of those annoying repeating patterns that loo

Large Format ...Slight Return

Took out my Linhof 4x5 field camera out for a spin. Tripod, cable release, focusing cloth, loupe, lightmeter, and film holders! The gang's all here. Linhof Technica III, (circa 1940's) with Fujinon 150mm 5.6 a modern lens design.  Bull Run Park near Manassas VA.The camera is wonderfully made with machined aluminum with German engineering. Like Butter. Working with a 4x5 is a whole different world. It takes long to set up and there are so many things that you can screw up. "Did I cock the shutter? check focus?, meter reading, dark slide out? lock the movements?... There are like 13 different steps that you have to make to take a picture.  So why do it when I can just point my 5d and shoot in easy one two steps?  Reasons may vary, but I do it because of the camera movements. The tilts, swings, shifts. These cameras were made so you can technically control how the image hits the film plane. You can achieve "technically perfect" images, whatever that means. 

Let There be (additional wirelessly controlled portable electronic) Light! With Canon 600RT

Canon 5D MK3, 50 1.2L, with 600EX-RT triggered by ST-E3-RT Click to see Portfolio  I've always held fast to the notion that there is nothing more beautiful of a light source than the natural light and I still do. I sometimes like to at least try to prove myself wrong. The reason being is that I believe that your ideas can, and should change… At least welcome the notion of that change. As it is true with many of my photographic ideas, some of the ideas have roots that goes way back.  I was flirting with the idea of shooting nature with electronic flash. Yes, that's sacrilegious to many including myself, till I realized that while believing in something strongly is good, holding onto something too strongly can lead to stagnation. And as we know, stagnation leads to death! Yes, Death! (repetition for dramatic effect). Canon 5D MK3, 50 1.2L, with 600EX-RT triggered by ST-E3-RT Click to see Portfolio  So today I headed out to the woods to test out this idea. Armed wit