Skip to main content

Arena Stage Architectural

Shot the Arena Stage few days ago.  I have the deepest respect for both architecture and architects.  In some sense, I think photography and architecture are somewhat similar to each each other in the fact that we both have to be very familiar with technical knowledge along with artistic.

I've met the Media Director Kirstin Franko of the Arena Stage, a while back while scouting for a photo shoot for the Design Army.  She was very helpful then and very helpful now when I wanted to shoot the theater for my portfolio.

Canon 5d MK II, 24 3.5L TSE II

This building has huge wooden pillars that sits up along the perimeter of the windows.  I find it interesting that in this building, you can't find too many right angles. The structure is mostly made out of concrete and glass but the addition of wooden posts and the lack of 90 degree angles give it more organic feel to such modern structure. 

Canon 5d MKII, 24 3.5L TSE II

Because of the wall of windows, the light plays a very important role in how the people interact with the space. 

Canon 5D MK II, 24 3.5L TSE II

Fuji X-100

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Canon 5D MK II, 24 3.5L TSE II

Fuji x-100

This shoot was very different from how I usually work, which is hand held with open apertures.  When the subject IS the architecture, then having elements that distorts how the structure looks can be distracting.  So this is where the tilt shift lens comes in.  I love the new 24mm 3.5L TSE II. Very sharp at all apertures, easy to work with and built rugged. With this lens, its like a pocket sized view camera.  

To see more click here

Comments

  1. MimiDecember 15, 2011 at 4:28 PM

    I love this set Dan :-) Looks contemporary yet there's a vintage texture to it. How you do it? Color tones is sooo beautiful too. I dont know if you like to hear this for these pictures but they have your documentary photographic signature all over it. Everything looks so natural like there's no sign of them being overworked in photoshop and such. That last one you took with the x100 is really cool too :-)

    ReplyDelete
  2. Dan ChungDecember 15, 2011 at 4:38 PM

    Thanks Mimi. Its interesting that you still can see my documentary style on this set. I did some coloring in Light Room to give it some organic feel to it. The Fuji x-100 is proving to be an excellent companion to the 5D.

    ReplyDelete
  3. Whit FoxDecember 20, 2011 at 1:22 PM

    Hi Dan, Been a while, but I'm finally motivating to get on a daily posting schedule and reading blogs now that the wedding season is over. I've been perusing yours, catching up, and love looking at your work! Nice! Hope you're well. Happy New Year!

    ReplyDelete
  4. Dan ChungDecember 21, 2011 at 10:35 AM

    Hey Whit! Travel to Italy... that must have been nice. I also like your promo pieces! sweet design. Enjoy your Holidays!

    ReplyDelete

Post a Comment

Popular posts from this blog

Large Format ...Slight Return

Took out my Linhof 4x5 field camera out for a spin. Tripod, cable release, focusing cloth, loupe, lightmeter, and film holders! The gang's all here. Linhof Technica III, (circa 1940's) with Fujinon 150mm 5.6 a modern lens design.  Bull Run Park near Manassas VA.The camera is wonderfully made with machined aluminum with German engineering. Like Butter. Working with a 4x5 is a whole different world. It takes long to set up and there are so many things that you can screw up. "Did I cock the shutter? check focus?, meter reading, dark slide out? lock the movements?... There are like 13 different steps that you have to make to take a picture.  So why do it when I can just point my 5d and shoot in easy one two steps?  Reasons may vary, but I do it because of the camera movements. The tilts, swings, shifts. These cameras were made so you can technically control how the image hits the film plane. You can achieve "technically perfect" images, whatever that means.  ...
5 comments
Read more

Polaroid Negative?

I've been wanting to do color large format for awhile. When there were photo labs around the corner, it wasn't hard to do a E-6 process in a day or two. Now that process has gotten expensive and if you're doing sheet film, its even more pain. So my solution... Polaroid! well technically, it should be called "instant film" since Polaroid is trademarked term. I'm using  Fuji FP 100c45. But here's the twist. I wanted a different look. If I want true colors, I wouldn't bother with the cost of 2 bucks per shot.  I also was fascinated with some surface texture that I saw on polaroids.  I recently came across some sites that talks about turning a polaroid into negatives. Its true that Polariod years ago did have those positive/negative film, but they've discontinued all instant film a couple of years ago.   The process is simple. you take bleach and take off the black stuff on the part that you throw away.  Once the black part is off, you have a negati...
5 comments
Read more

Boston: B&W Architecture with Leica Q2M: From a Purist Perspective.

I swear I was going to switch out my black and white ONLY Leica Q2M to a regular Q2 color camera before going to this trip.  I"m glad I didn't.   Oh, before I forget, take a look at my icandy slide shows .  I will be making slideshows that is designed for big screen TV's.  Take a look at this one: Ok, back to the topic on hand.  So one of the most asked question about the Leica Q2M is, 'why limit yourself to just black and white when you can easily convert color photos to BW?'  Very good question.  My answer is,  if you know with certainty you want the best quality BW image possible, you want the dedicated monochrome camera.  Am I being a staunch purist? or is there a practical argument for it? Let's talk about it.  Beacon Street Boston,  MA One of many beautiful architecture on that hill.   First, this camera doesn't have any moire filter on the sensor.  Moire filters are on most color camera sensors to get rid ...
Post a Comment
Read more