Experimental series

Been looking for a different way of seeing. I produced these pictures without thinking too much about it. What I did know was that I wanted to capture a mood not a photograph.

I've been really getting into that shallow depth of field. It allow me to control what I was really looking at.

Honestly, I think when we see with our eyes we focus on whatever part of that subject and somewhat discard the images that is around it.

I think photography allow you to learn about yourself, since you'll have to justify either to yourself or to the viewers what was interesting to you when you decided to trip the shutter.

Most of the time we can't explain it, but if you believe in it enough and know how to go about using the tools, other people might see it too.

Comments

Large Format ...Slight Return

Took out my Linhof 4x5 field camera out for a spin. Tripod, cable release, focusing cloth, loupe, lightmeter, and film holders! The gang's all here. Linhof Technica III, (circa 1940's) with Fujinon 150mm 5.6 a modern lens design. Bull Run Park near Manassas VA.The camera is wonderfully made with machined aluminum with German engineering. Like Butter. Working with a 4x5 is a whole different world. It takes long to set up and there are so many things that you can screw up. "Did I cock the shutter? check focus?, meter reading, dark slide out? lock the movements?... There are like 13 different steps that you have to make to take a picture. So why do it when I can just point my 5d and shoot in easy one two steps? Reasons may vary, but I do it because of the camera movements. The tilts, swings, shifts. These cameras were made so you can technically control how the image hits the film plane. You can achieve "technically perfect" images, whatever that means.

Polaroid Negative?

I've been wanting to do color large format for awhile. When there were photo labs around the corner, it wasn't hard to do a E-6 process in a day or two. Now that process has gotten expensive and if you're doing sheet film, its even more pain. So my solution... Polaroid! well technically, it should be called "instant film" since Polaroid is trademarked term. I'm using Fuji FP 100c45. But here's the twist. I wanted a different look. If I want true colors, I wouldn't bother with the cost of 2 bucks per shot. I also was fascinated with some surface texture that I saw on polaroids. I recently came across some sites that talks about turning a polaroid into negatives. Its true that Polariod years ago did have those positive/negative film, but they've discontinued all instant film a couple of years ago. The process is simple. you take bleach and take off the black stuff on the part that you throw away. Once the black part is off, you have a negati

Boston: B&W Architecture with Leica Q2M: From a Purist Perspective.

I swear I was going to switch out my black and white ONLY Leica Q2M to a regular Q2 color camera before going to this trip. I"m glad I didn't. Oh, before I forget, take a look at my icandy slide shows . I will be making slideshows that is designed for big screen TV's. Take a look at this one: Ok, back to the topic on hand. So one of the most asked question about the Leica Q2M is, 'why limit yourself to just black and white when you can easily convert color photos to BW?' Very good question. My answer is, if you know with certainty you want the best quality BW image possible, you want the dedicated monochrome camera. Am I being a staunch purist? or is there a practical argument for it? Let's talk about it. Beacon Street Boston, MA One of many beautiful architecture on that hill. First, this camera doesn't have any moire filter on the sensor. Moire filters are on most color camera sensors to get rid of those annoying repeating patterns that loo

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