These are night series that I've done with medium format film. Night shooting on BW film can be very technical in terms of film development. I choose to shoot film at night because it does a better job of keeping the highlights and shadows. For you older film shooters out there, you might know what I'm talking about when I say, "expose for the shadows and develop for the highlights". Does anybody remember that mantra?... Anybody? Hasselblad 500cm 80 2.8 CF TMX 100. Pull process. The detail in the moon lit sky still has texture. What that means in this case is, when you shoot, overexpose the film so you can get some density on the shadowy areas, and when you develop the film, do it in a way to keep the highlight from being too bright. Hasselblad 500cm 80 2.8 CF TMX 100. Pull process. I was surprised to see the trees to the mid right. Pull processing allows that. When it comes to exposing, how do you meter at night? You have to use the most un...
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